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LEF (journal)
LEF ("ЛЕФ") was the journal of the Left Front of the Arts ("Левый фронт искусств"''"Levy Front Iskusstv"''), a widely ranging association of avant-garde writers, photographers, critics and designers in the Soviet Union. It had two runs, one from 1923 to 1925 as LEF, and later from 1927 to 1929 as ''Novy LEF'' ('New LEF'). The journal's objective, as set out in one of its first issues, was to "re-examine the ideology and practices of so-called leftist art, and to abandon individualism to increase art's value for developing communism."
==Productivism==
Although LEF was catholic in its choices of writers, it broadly reflected the concerns of the Productivist left-wing of Constructivism. The editors were Osip Brik and Vladimir Mayakovsky: fittingly, one a Russian Formalist critic and one a poet and designer who helped compose the 1912 manifesto of Russian Futurists entitled, "A Slap in the Face of Public Taste". The covers were designed by Alexander Rodchenko, and featured photomontages early on, being followed by photographs in New LEF. Among the writings published in LEF for the first time were Mayakovsky's long poem ''About This'', and Sergei Eisenstein's ''The Montage of Attractions'', as well as more political and journalistic works like Isaac Babel's ''Red Cavalry''. The journal had funding from the state, and was discussed critically, but not unsympathetically by Leon Trotsky in ''Literature and Revolution'' (1924).
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